In actual practice Morph Cut isn’t a panacea for all situations. When you apply a Morph Cut transition, Adobe’s warp stabilizer technology is used to analyze the video and create new in-between frames for a seamless transition across the cut. The inevitable jump cuts in the interviewee’s video are either left to jump or are covered with B-roll cutaway shots. Editors cutting talking-head corporate videos and documentaries are frequently challenged to assemble cogent soundbites from sentence fragments – the so-called “frankenbite”. This transition is similar to the FluidMorph effect available in Avid Media Composer. One new marquee effect is Morph Cut, which is intended to make jump cuts in interviews appear seamless. These presets can be customized according to your needs. They are still available as pulldowns, but by having them grouped across the top, it’s easy to change between layouts that have been organized for editing, color, effects, audio, etc. Workspace selections are now grouped across the top of the viewers. There are a number of improvements that editors will appreciate. I created a set of SpeedGrade Look files last May and these can be easily accessed and applied inside Premiere Pro from the new Lumetri Color panel. look formats work, so if you’ve purchased other LUT collections, like Osiris, Rocket Rooster, SpeedLooks, Koji, or others, then these will work with Premiere Pro CC. For instance, if you were applying the SpeedLooks Blue Ice creative LUT to an ARRI Alexa log-C file, you would also need to use the SpeedLooks profile for ARRI cameras. Some of these, like the SpeedLooks options, work in two steps for the best results. Premiere Pro CC comes with a number color transform and custom look files created by Adobe and LookLabs (SpeedLooks). Then in the Creative tab’s pulldown, add a stylized look. For example, in the Basic Correction tab’s pulldown menu, you can add a log-to-rec709 color transform LUT. There are two points within Lumetri Color to introduce LUTs. When the color workspace is activated, the display automatically docks the Lumetri Color panel, along with a new set of high-resolution, real-time videoscopes brought over from SpeedGrade. With either control panel you get a set of task-specific color wheels and curves. The best part is that you can keyframe all of the functions. These controls are accessible through either the standard Effect Control panel or the separate Lumetri Color panel. It combines several color grading functions into a single, multi-tabbed interface panel. If you are familiar with Adobe Lightroom or SpeedGrade CC, then you’ll instantly recognize the similarities. The most visible addition to Premiere Pro CC 2015 is the new Lumetri Color panel. Back on your laptop or desktop in Premiere Pro CC, access this LUT through the Creative Cloud Library and apply it as a “look” using Adobe’s new color controls. When you’re happy with the choice, this is saved as a 3D LUT to your Creative Cloud Library. You can rotate the cloud of bubbles on your smartphone screen to change the relative values of the selected colors. Adobe Hue CC displays this analysis in the form of floating color bubbles over the image.
It will analyze the color tonality of any photo in 3D color space on your smartphone and turn that into a 3D LUT (color look-up table).
HOW TO ADD AUDIO KEYFRAMES IN ADOBE PREMIERE PRO CC 2015 CODE
This smartphone application was previewed at NAB under the code name “Project Candy”.
With a Creative Cloud subscription you can access your own library, as well as shared libraries created by other users.Īdobe Hue CC supports the new color workflow within Premiere Pro CC. Media assets and projects can be moved among systems via Creative Cloud Libraries, powered by Adobe CreativeSync. Now Premiere Pro allows you to import Premiere Clip projects so you can continue cutting there. Shoot your video on your phone and start cutting. Premiere Clip is a lightweight video editor for smartphones. For Premiere Pro CC users, this primarily involves two products: Premiere Clip and Adobe Hue CC. Incorporation of mobile products into the production pipeline has become an important theme for Adobe. The Creative Cloud 2015 video products were previewed at NAB and released this summer. To reinforce the value of the Creative Cloud subscription, Adobe continues to improve its core video and design products, but is also expanding the implementation of mobile-to-desktop and cloud workflows.
0 kommentar(er)
